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Pablo picasso girl with mandolin

He was steadily divesting his paintings of mere likeness, not that this was synonymous with a progressive elimination of the subject: his paintings were becoming more abstract but not entirely so. In Picasso and Fernande Olivier spent a summer vacation in Cadaques, and this was where Woman with Mandolin originated. Having emerged from an Early Cubist phase which seemed, in part, expressive, Picasso was now in the throes of Analytical Cubism, a period during which he invested surface ornament with intrinsic value. In this picture, the characteristic fragmentation of form is carried to almost unre-cognizable lengths.
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Girl with Mandolin, 1910 by Pablo Picasso

Pablo picasso girl with mandolin
Pablo picasso girl with mandolin
Pablo picasso girl with mandolin
Pablo picasso girl with mandolin
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Girl with Mandolin, by Pablo Picasso

He analysed his subject, breaking the subject down into squares, cubes, rectangles, and other geometric shapes along the contours of her form. He arranged these shapes to portray various parts of her form that would otherwise be impossible to see from one point of view, this is what defines an Analytic Cubist painting. Picasso's surroundings were highly influential in his work. This led him to paint everyday life in his locality. Unlike conventional western artworks, before impressionism, whom painted historical subjects that posed to create a pyramid of vector lines that lead to a central focal point of the painting, Cubist developed a new approach to representing their subject that allowed them to use abstract geometric shapes to reconstruct the subjective form.
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Girl with mandolin (Fanny Tellier)

He analysed his subject, breaking the subject down into squares, cubes, rectangles, and other geometric shapes along the contours of her form. He arranged these shapes to portray various parts of her form that would otherwise be impossible to see from one point of view, this is what defines an Analytic Cubist painting. Picasso's surroundings were highly influential in his work. This led him to paint everyday life in his locality.
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Link to the work at the MoMA. This image can have no independent copyright as it is simply a faithful reproduction of an old, public domain, two-dimensional work of art published in the United States prior to Published in a newspaper Globe, January 15, clipping See page This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
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